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It teaches kids to educate themselves and to listen to the oppressed rather than the oppressors.
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#Find the rabbit movie how to
"Jojo Rabbit" is precisely the sort of movie that should be taught in schools because it shows kids how to think for themselves, and to not just assume that what is going on around you is true or right. You're a 10-year-old kid who likes dressing up in a funny uniform and wants to be part of a club." Later, she tells Jojo: "You're not a Nazi, Jojo. Jojo asks Elsa to draw where Jews live, so she draws a picture of Jojo's head, saying: "That's where Jews live" - Jojo is told, whether he quite believes it yet or not, that his entire idea of what Jews are is nonsense inside his head, put there by the indoctrinating Nazis he's been brought up around. And it absolutely had to be Elsa for the power of the message, and of Jojo's character arc, to strike home: the oppressed teaches the oppressor. She is the one who truly sets Jojo on the road to becoming a better person. Jojo's mother Rosie (Scarlett Johansson, who admittedly shouldn't have been nominated) and the closest thing he has to a father figure, Captain Klenzendorf (Sam Rockwell, who should have been nominated), play a role in teaching Jojo to be kind and to steer away from the vile teachings he's been surrounded by his entire life.īut, crucially, and rightfully, it's Elsa who does the heavy lifting. Scarlett Johansson was nominated for Best Supporting Actress for this movie. He soon begins to see Elsa for what she is - a human being - rather than the monster the Nazis painted her kind out to be. At first, Jojo is a naive little boy who is "massively into swastikas" and considers his imaginary pal Hitler (played by Waititi) to be his best friend.īut when he discovers Elsa in his own home and begins to learn more about the girl, he realizes that all he has been taught as a young Nazi may not be true. Meanwhile, Jojo (Roman Griffin Davis) has one of the most grown-up and powerful character arcs in 2019 cinema. We share her anger at Jojo's initial blind disgust of her, as well as his later lie about the victors of the war.
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We feel her frustration stuck in makeshift room-in-a-wall in a house in the middle of Germany, feel claustrophobic with her, and our hearts break as we find out more about her back story. While initially carving up a love-hate relationship between Jojo and Elsa, Waititi makes it clear that we are on Elsa's side. There was a worry that "Jojo Rabbit" could have been tone-deaf, a la the James Franco/Seth Rogen comedy "The Interview." However, Waititi, being Maori-Jewish, avoids any sense of this and his script (adapted from Christine Leunens' novel "Caging Skies") is as equally heartfelt and touching as it is broadly funny.Įlsa (Thomasin McKenzie), the Jewish girl hiding in Jojo's cupboard, is the soul of the film. For those who are inclined to follow bigotry, maybe satire can expose the ridiculousness of what it's all about." Satire is risky, but reasonable and rational doesn't change bigots. "It's a satire, but the 'reality' is a mother is risking her life and her child's life by protecting and hiding a Jewish child," he said. He thoroughly believes that the movie takes what Vanity Fair calls "the horror of extremisim" very seriously. It's funny as hell, but completely responsible in its storytellingĪbraham Foxman also told Vanity Fair that he was moved by the film's storyline, particularly because he was also, like Elsa, hidden from the Nazis as a child (by a Polish Catholic Nanny).